by Lucy Kirkwood
National Theatre, London 18 July–28 September 2017
Lucy Kirkwood’s play Mosquitoes is an ambitious piece of theatre. It combines the telling of an eclectic family drama with the asking of a variety of questions ranging from personal relationships to the remit of science. Mosquitoes tells the story of CERN scientist Alice (Olivia Williams), and the fractious relationship she has with her sister Jenny (Olivia Colman). After working for 11 years at CERN on the French–Swiss border, Alice is visited by Jenny just as work on discovering the Higgs boson is nearing its peak. Conflict between Jenny and Alice’s challenged son, Luke (Joseph Quinn), drives much of the plot. Domestic scenes between these three characters are interspersed with glimpses of Luke’s absent father, who momentarily turns the theatre into a planetarium while waxing lyrical over the science which the play is set against.
The spectacle of these brief moments is a highlight of the play; contrasting wonderfully with the often mundane lives of the characters. Kirkwood also makes a poignant contrast between the characters’ personal and professional lives. Alice, despite exuding a certain confidence in her professional life as a scientist, often struggles to relate personally to those around her. Chief amongst those is her son Luke who, despite showing the occasional interest in his mother’s work, is ultimately critical of it for a number or reasons. He questions the environmental impact of what she is doing, believing that the LHC poses existential risks. He also frequently bemoans his mother’s commitment to her work, which he believes comes at the expense of himself. Through the play, it becomes apparent that Luke and his mother previously lived in the UK, and that he was made to follow her to Switzerland, but he would like to go back to England.
These personal relationships are played out in front of the sisters’ ailing mother Karen (Amanda Boxer). A former physicist herself now suffering from dementia, Karen frequently laments missing out on her chances at winning a Nobel Prize. Karen’s character, who provides the audience with a glimpse of her daughter Alice’s future, adds a sense of futility to Alice’s work.
Overall, Mosquitoes – the title coming from a line of dialogue in which protons smashing in the Large Hadron Collider are compared to mosquitoes hitting each other head on – is a stunning piece of work. Not just for the way it weaves together story lines to explore a range of complex questions, but also for the immensely high quality of acting talent which it boasts. This is bettered only by the faultless light, sound, and set design, which complement each other perfectly during the play’s most dramatic moments.
